|Scholastic Book Fairs Author signing
Saturday December 13, 2014
Scholastic Book Fair Warehouse sale
2089 Corporate 44 Drive
Fenton, MO 63026
9:30 am to 12:00 noon
1:00 pm to 3:00 pm
Tuesday December 16, 2014
Scholastic Book Fair sale
Stegton Regency Banquet Center
1450 Wall Street
St. Charles, MO 63303
2:30 pm to 7:00 pm
Please contact me if you would like me to autograph copies of my picture book, NAME THAT DOG, at your school's Scholastic Book Fair.
Saturday Writers presentation on writing and marketing a picture book, June 2014, St. Peters MO
Lakeview Elementary School, O'Fallon, MO in April 2014
With Kim Piddington, Missouri SCBWI Regional Advisor, at the Missouri Association of School Librarians convention in St. Louis, April
Indiana SCBWI Spring conference April 2014
Chesterfield, MO children's writers group at Christmas 2013
scholastic Warehouse Book Signing December 7, 2013
At Main Street Books with owner, Vickie Erwin November 30th
B&N with authors Mike Force, Chris DiGiuseppi, and Valerie Battle Kienzle November 22nd
Local Author Open House at MK Library in O'Fallon, November 21st
Carlin Park Elementary School Angola, IN
Sherwood School Scholastic Book Fair in Arnold, MO
ICD Scholastic Book Fair with students--Immaculate Conception Dardenne Prairie, MO
Peggy with children's author Karen Guccione-Englert at the MK Library Local Authors Open House in O'Fallon, MO
Book signing at Indianapolis Fairgrounds, with Mary Igras
Author Visit to Immaculate Conception School (ICD) April 2012
ICD library staff
Edison Elementary School Hammond IN
Lincoln Elementary School Hammond IN
Beta Delta Chapter of Delta Kappa Gamma, Hammond IN
Heather Alexander, editor at Dial Books for Young Readers
Quinlan Lee, agent, Adams Literary Agency
Suzanne Morgan Williams, author of BULL RIDER
Kids Ink Independent Children's Bookstore, downtown Indianapolis
Shirley Mullin, bookstore owner, with children's authors Janna Mathies, Peggy, and Nathan Clement
Thank You cards from Holy Family School in South Bend
Fieler Elementary students
Ms Hanneman's class at Northview Elementary
In the classroom at Northview Elementary School
Talking to students at Northview Elementary
Working together to create a poem in Starke County
Talking with students at Starke County
Author Judy Roth and students at the Starke County Young Artists Day
Booksigning at B&N Bookfair
Anderson's Children's Literature Breakfast, with author and keynote speaker Tim Green
friendly staff at The Bookstore
Author Book Signing
Butler University Chorus entertains with Christmas Carols
Turkey for Thanksgiving?
Stuffee and the author
November: Picture Book Idea Month
Author Panel: the Road to Publishing--Kathryn Page Camp moderating
Kate Collins: adult trade publishing, mysteries
Peggy Archer: children's trade publishing, picture books
Katherine Flotz: self-publishing, memoir
Michael Poore: adult trade publishing, fiction
Cynthia Echterling: e-publishing & small press, science fiction
Author visit to Portage Public Library, October 23rd
Esther Hershenhorn talks about the Reader's story and the Writer's story
Esther shares resources, experience, and opportunities
Trish Batey, Indiana RA
Yellow paper on your back gave a hint of 'What author are you?' for the day
Peggy Archer gives an overview of the 2010 SCBWI conference in LA
Karen Kulinski gives an update on Indiana's HoosierLinks
Janna Mathies at the piano sings "Why It Matters" by Sara Groves
IN SCBWI steering committee with Trish: (L to R) Karen Kulinski, HoosierLinks, Kristi Valiant, Website Coordinator, Alina Klein, Listserv Coordinator, Peggy, ARA (not pictured: Sharon Vargo, Illustrator Coordinator)
New Regional Advisor, Kristi Valiant, talks about plans for 2011
Indiana SCBWI: Outgoing RA Trish Batey, ARA Peggy Archer, Incoming RA Kristi Valiant
Visiting with author/illustrator Nathan Clement and son Theo at the ROAR author event
Autographing for a young reader
Story Time at ROAR's (Reach Out and Read) Evening With the Authors Event in Indianapolis
Reading to young bankers at Citizens Financial Bank in Valparaiso
Some of the crowd at the SCBWI conference in LA
Ashley Bryan, Golden Kite winner for Nonfiction
with Keynote speaker and Golden Kite winner, Marion Dane Bauer
Illustrator and Keynote speaker, Loren Long
E.B. Lewis, Keynote speaker
with Keynote speaker, Gennifer Choldenke
Keynote speaker, Gordon Korman
Chris Cheng, Australia RA and SCBWI Member of the Year
Kris Vreeland, Independent Bookstore manager, Vroman's Bookstore
Eva Mitnick, LA librarian and reviewer for SLJ
Greg Pinkus and Alice Pope on networking
with Lin Oliver, co-founder of SCBWI
Steve Mooser, co-founder of SCBWI, with Sally Crock RAE
Indiana SCBWI members Mary Jo, Shannon, and Peggy celebrate in LA with Heart and Soul.
East and Midwest members celebrate at the Golden Kite Luncheon in LA--Peggy, Courtney, Julia and Mary Jo.
Peggy with Alice and Lisa, co-RAs from IL--friends and roommates
Linda V., formerly of Indiana, with her 'dog-in-training,' Dusty.
Anyone for Literary Bingo?
This is the cornfield just down the street from my house on July 13th. That's me with the boot on my foot again!
Local Authors Day, Valparaiso B&N
Welcome to the Young Artists Fair in Plainfield, IN
Signing books at Van Buren Elementary School in Plainfield, IN
Happy Birthday, Name That Dog!
Little reader loving that dog book!
Celebrating the Book Launch!
Doggy treats at the book launch party
With Jocelyn at the Porter County Expo Center for the Be Kind to Animals Celebration
Speaking to readers and writers at the LaPorte County Public Library in April
Our new grandpuppy, Dudley!
The new Mr. and Mrs. Biggs!
Trish Batey, Indiana SCBWI RA, Stephen Roxburg, Lisa Graff, Helen Frost, Peggy Archer, Indiana SCBWI ARA
Stephen Roxburg, Publisher of namelos, talked about writing the YA novel, the current state of publishing, and his new company, namelos
Lisa Graff, Middle Grade author, talks about writing the middle grade novel and the Slush Pile
Lisa autographs books with a smile
Introducing Helen Frost, YA author and poet
Question and Answer panel--Lisa, Stephen, and Helen
Registration, getting to know you
Schmoozing with other writers
Trish with author, Valiska Gregory
Books for sale--writers can never have too many!
Taking it all in.
Afternoon Tea with the author in Mitchell
Alexis talks about storytime for the very young
My little corner--I love when students come up to talk.
HOW many dogs do you have?!
Authors of the day
Keynote address: Growing an Author with Peggy Archer
Making a book with Katie Mitschelen
Research--detective work, with Peggy Miller
Crafting a poem with Mary Ann Moore
Becoming an artist with Edwin Shelton
Music with the Band
One small hand holding onto another
Name That Dog! Sharing F&G's and write-up in Dial's catalog with group.
Writers Christmas lunch and meeting in Michigan City
Meeting up with Esther and Karen in Chicago
Name That Dog! ISBN: 978-0-8037-3322-0
Writing friends from the beginning!
Drawing a turkey at Hussey-Mayfield Public Library-- Zionsville, IN
Autographs at Hussey-Mayfield Library, Zionsville
"Who likes to eat turkey at Thanksgiving?" --Morton Elementary School, Hammond, IN
Thank you cards from Morton Elementary students
Reading to my grandson's pre-school class at Zion Lutheran School-- Bethalto, IL
Family Book Basket
Courtney Bongiolatti, Editor S&S
Laurent Linn, Art Director S&S
Terry Harshman, Editor CBHI
Author-Illustrators, Kristi Valiant and Sharon Vargo
Kristi Valiant, IN-SCBWI logo winner
Our volunteer crew (minus a few)
author Katie Mitschelen and Peggy enjoying the conference
Janine Harrison, opening remarks
Sharon Palmeri, President IWC and speaker
Kathryn Page Camp speaks on Taxes for Writers
Kate Collins, mystery book author and Keynote speaker
Gordon Stamper, secretary IWC
Peggy, Sally, and Karen--writing friends enjoying the dinner event together
Autographs with a smile :)
Smokies in the morning
Smile and say 'author'!
Ready to start!
Sara Grant, Editor, Working Partners
One on one with Sara
Author and Editor...
Getting to know you...
Sharing thoughts... connecting
Our Kentucky friends...
Trish, RA, Peggy, ARA, Christi and Alina, steering committee members
Picture book author, April Pulley Sayre, speaking in South Bend.
Esther and Heidi
Esther with Steve and Sally from National SCBWI
Heidi and Peggy, friends and poets
We came from Indiana...
...from California and Iowa
and enjoyed the friendships.
Peggy, Karen & Esther--connecting once again.
Critique group gathering at Peggy Miller's house. Karen, Fred, Mary Ann, Katie, Judy, & the two Peggy's in front.
Our daughter, Sarah & our son, Dan both sang original songs at the Porter County Fair in the Colgate Country Showdown.
From Fort Wayne to Whiting, we gathered to talk & gain some bit of insight into the world of creating children's books.
Enjoying the company of other children's writers & illustrators.
Meeting other children's writers.
Smiles were free.
Peggy Archer talks about trade publishers.
Judy Roth talks about working with a small publisher.
Karen Kulinski talks about working with an agent.
Karen fielding questions.
Peggy with the Cat in the Hat
Katie and the Cat in the Hat
I won a collection of autographed books from the IL SCBWI (Society of Children's Writers & llustrators) booth at ALA for the Valparaiso Public Library. An awesome prize! Thank you IL SCBWI!
Peggy, presenting books won at ALA to Connie Sullivan, Branch Manager and Leslie Cefali, Youth Services Assistant, Valparaiso Public Library.
November 7, 2014
If children’s writers only wrote books and stories it still would not be an easy job. But we do that and so much more!
—we read children’s books and magazines, books and newsletters about writing for children, author websites, blogs for children’s writers, children’s editor, agent and librarian blogs, and material for research on that picture book we’re writing.
We do market research
—we search to find out who publishes books in the genre that we write (and we read those books), we search to find out what publisher is looking for the specific kind of book or story that we’ve written, we search to find out where and how to submit our manuscript to that publisher, we search to find out how to write a good cover letter or query letter, we search to find out what topics are wanted most by editors, teachers and librarians.
We attend meetings with our critique groups
, because writing is a solitary job and we need feedback, and encouragement and direction—and understanding. We share each other’s rejections and we rejoice in their acceptances. We keep in touch with other children’s writers by email for the same reason.
We attend programs and events featuring other authors
, to learn from their advice and experience, and just because we love children’s books. Sometimes we are the ones sharing our writing experiences. And sometimes we talk to children in schools and libraries about books and writing.
at events and conferences with organizations for children’s writers like SCBWI
We maintain an author website, and have a presence on the web
on facebook, twitter and other sites. And we blog.
We also have families, other jobs and other commitments. As much as we love what we do as a writer, sometimes other things take priority for a while. The past month or so has slowed me down just a bit, so I’ve decided to re-post one of my past blogs today. I hope you have fun with it.
Ten Twisted Tongue Twisters for writers
Do you have a problem overcoming overuse of alliteration in your children’s stories? Do character names trip off your tongue like “Tiny Tommy Turtle?” Do your titles rock to the rhythm of “Rita Raccoon and the Rattletrap Rattlesnake”?
Well, here’s your chance to change all that! Take some time out and try these ten twisted tongue twisters and see how fast you reform.
One weary writer whiting out his writing.
Two choosy teachers choose children’s chapter books.
Three free critiques.
Four cool quick facts.
Five fine poets refuse to pursue prose.
Six short stories on a short shelf.
Seven spelling checkers checking spelling errors.
Eight easy-reader writers writing easy-readers.
Nine nice novelists notice no mistakes.
Ten tongue-tied typists typing in italics.
by Peggy Archer, originally published in OUAT magazine
October 22, 2014
Last month I attended the Missouri SCBWI Fall Conference, Seeds of Success
, in St. Charles. From the perspective of a picture book writer, I think it was one of the best conferences that I’ve attended. Here are just a few of the helpful and inspiring nuggets that I took home from the conference speakers.
, agent for children’s writers and illustrators, Sadler Children’s Literary Agency
, talked about writing picture books.
She shared with us Twenty Tools for Writing Picture Books.
Among the ten verbal
pacing tools were:
Repetition—Repetition rallies the reader, and can be used to highlight the emotional growth of your main character.
Rhythm—Rhythm is the ‘sound’ of the story; use words, repetition and onomatopoeia to create rhythm; use short and long sentences.
She also gave us ten visual
pacing tools, which included:
White Space—Find emotional hot spots and see how you can pull back on words to let white space fill in with visual clues.
Poetry—Use literary devices to go beyond rhyme
She told us, “A good picture book is written with attention to musicality and language.”
Check Jodell’s website for information about her online class, Pacing Picture Books to Wow!
, author of non-fiction books for children, told us that when you write non-fiction you should "begin with a mystery."
Start making a ‘witness’ list—begin by reading, and work toward primary sources.
Keep a really good list of where you find your information.
Keep following leads, and question credibility.
Finally, cut yourself off—and write!
, agent for children’s writers and illustrators, Nancy Gallt Literary Agency
, told us what she looks for in submissions.
Some of those were:
a story that transports her
a book that makes her feel inspired
strong plots with internal consistency and a fully imagined world
She advised us to research the agency and the publishing world, and to proof-read our manuscript before submitting it.
Regarding picture books in verse, she said: “Writers of picture books in verse are poets first.”
, middle grade and young adult author, talked about the different stages in development, and the differences between middle grade and young adult books.
Among other things, she said—
In middle grade books there is a more hopeful ending.
Love in middle grade is undefined, and is more activity based—they do things together.
Middle grade characters reflect the ‘ideal selves’ of the readers.
If you write for this age group you need to ‘think like a gatekeeper’—parents, teachers or other adults who oversee what the middle grade child is reading.
, curriculum specialist, talked about the common core and what teachers want.
Some of those things are:
knowledge of topic
a story that is plotted to perfection
a well-researched book
a creative approach to the theme
She said that the writer should make an emotional connection—with your reader, and with your story.
Keep your eye on the Missouri SCBWI
website for future programs. The 2015 Fall conference will be at the beginning of November—details will be on the website closer to the date.
September 23, 2014
What’s Your Post Conference Plan?
2014 Seeds of Success Missouri Fall Conference
You attended that conference for children’s writers and now you’re really pumped! Your head is spinning with ways to revise that work-in-progress so it’s the award-winning picture book you’ve dreamed of. Attending the conference has opened doors to new places to submit your finished manuscripts, and sparked new ideas. And you’ve connected with some wonderful writers who were also at the conference.
Don’t let that drive get away! Here are some things to do to keep the ball rolling long after the conference is over.
Hopefully you’ve taken good notes from the sessions that you attended. Now
is the time to type them up, before the thought gets away from you, before you can’t remember what you meant by that scribble that you wrote down.
As you’re typing, you’re also going over all the great tips and advice that you received from the speakers. You’re thinking about how to use what you’ve learned in your own writing.
Don’t forget about those handouts that were passed out! Read or re-read them to keep them fresh in your mind.
Check out the websites or other links that are listed in the handouts. They may be market listings, great blogs to read about the craft of writing, or other helpful writing links.
Were there handouts about any upcoming events for writers that you’d like to attend? Check out the registration deadline and register on time, or before the event fills up.
If you received a manuscript critique at the conference, what suggestions did you get for improving your manuscript? Think about what was said, then revise while it’s still fresh in your mind.
Were there editors at the conference who are open to receiving manuscripts? Read their handout, and check out their website. What genres are they interested in receiving? If your manuscript fits what they’re looking for, is it ready for submission? If not, take the time to work on it now in order to submit it before that window of opportunity closes. Revise your manuscript, then take it to your critique group for their input before sending it out. Be sure to follow the guidelines given by the editor, and send it before the deadline!
If you’re looking for an agent and there was an agent at the conference, follow the same guide as for editors. Read their handout and check their website. Do they represent the type of manuscript that you write? Make your manuscript as perfect as possible before sending it to them. Follow their guidelines, and send it before the deadline.
Did you make a personal connection with an editor or agent at the conference? Was there an author who spoke or another speaker who offered advice that made a special connection to you in your writing? If so, think about sending a personal note to thank them.
Other conference attendees—
Part of the fun, and the benefit, of going to a conference is mingling and meeting other writers. There may be ‘old’ friends who you only see at writers’ events, but there are sure to be new people that you met as well. In this age of social media, it’s easy to follow up or keep in touch with other writers. Visit their websites or blogs. Check out who’s on facebook, twitter, or other social media sites.
Finally, did something spark a new idea in your mind? I always come away with new ideas-- it could be an idea for a new story, or a different way to revise something I've already started, or maybe it's something about marketing or author visits. If you’re like me, you need to write those ideas down, now
! Before you forget them!
I attended the SCBWI conference in Missouri a week and a half ago. I’ve gotten some of my post-conference goals accomplished, and I’m working on the rest of them now. I hope to have some tips from the speakers ready to post soon!
August 29, 2014
2013 Missouri SCBWI Fall Conference
Ok, so you’ve signed up for that conference for children’s writers, and you’re psyched! One more week
—are you ready? You’ve got paper/ pencil/ e-tablet, the conference schedule, directions to the conference facility, someone to watch the kids…. But are you really
ready?? Here are five things to do ahead of time to get the most out of your conference experience.
If you haven’t done this already, now is the time to start!
• Read the conference website once again to make sure that you haven’t missed anything. Check the time. Are you in the same time zone?
What time is check-in? Make sure to arrive a little before the conference starts to have time to pick up your packet, get something to drink, talk to friends, and find a good seat.
• Read the speaker bios on the conference website, but also read about them online. Check their blogs, tweets, facebook page. You can often find past interviews with the speakers online, too. In the case of an editor or agent, find out what books they’ve represented, what books they like and what they’re looking for.
• Read the speakers’ books—books that they’ve written, edited, represented, or books that they like or recommend. Check them out from your local library or look for them at your local bookstore.
#2—Prepare what to say if you’re asked about yourself as a writer, what you write or what you’re working on
• Do you write picture books, non-fiction, middle grade novels or novels for teens? What about magazines? Are you a new writer, or have you been working at it for awhile? Decide what to share about your writing self with others you meet.
• What is your current project? Do you have something ready to send out? If so, prepare your ‘elevator pitch,’ in case an editor or agent should ask about it. You have about 60 seconds, or the time it takes to ride an elevator to the next floor, to leave a good first impression of your work, and leave them asking for more!
#3—Be ready to network!
You may have an outgoing personality, or perhaps you’re more on the quiet side. But this is the place to meet others like yourself, with the same struggles and goals.
• Talk to others to get the most out of your conference experience. Talk to the person sitting next to you. Talk to people who you don’t know at lunch. You’ll be surprised what you take away from meeting other writers and illustrators. And you may just make some friends for life.
• Wear your nametag throughout the conference. I like to see name tags because I’m not always good at remembering names, and it’s nice to be able to call someone by name later if I forget.
• One of my personal experiences: I met my critique members at an SCBWI conference. We were all looking for a group of ‘serious’ children’s writers, and found that we lived within a 2-hour time span from each other. We agreed to meet in the middle, at a library, and have been meeting every other month since then for ten years. And even though I recently moved out of state, I continue to meet with them through Skype.
• Another personal experience: More than once I sat next to an editor who gave me their business card and invited me to submit my work.
• Yet another personal experience: By talking to others during breaks I met published authors who were not speakers and picked up writing tips from them.
• And finally: I met other struggling writers and learned how they organize their day to find writing time.
#4—Make a list of questions
. Think about what you want to learn from the speakers, from your critique, and from the conference in general. Speakers need time to eat, go to the bathroom, re-group and just plain breathe! So be sure to ask your questions during the times allowed, such as at the end of your sessions, during a Q&A panel discussion, or during your critique time.
• First, ask yourself
: What are my goals for the conference? What do I want to ‘take home’ with me when the conference is over? Are you looking for writing tips, feed-back on your manuscript, someplace to submit your work, or something else? Then, consider what you need to do beforehand to get what you’re looking for.
• Do you have specific questions that you’d like to have addressed in one of the sessions that you’ll be attending? If so write them down. There is usually time for questions at the end of the talk, or if
there’s time, you can ask the speaker immediately following their talk.
• If there is a speaker panel assembled for Q&A, this is the perfect time to ask general questions and get feedback or opinions from all of the speakers.
• If you’re getting a manuscript critique, make a list of questions to ask at your face-to-face time with the person doing your critique. Is there something that you’re not sure about in organizing your manuscript? Do you have questions about places in your writing? Are you wondering about the marketability?
#5—Organize ahead of time!
Don’t wait until the last minute to think about what to bring with you. Start getting things ready now!
• Get your note-taking tools together! Bring a pad of paper or two, a portfolio or something to write on (you won’t always be at a desk or table), extra pens or pencils (in case one breaks or runs out of ink, or you lose one), or an electronic device to take notes on. Bring a highlighter to use with handouts, and to highlight your personal schedule on the program that you’ll receive. DO NOT record the speakers presentation without permission, and DO NOT take pictures of power point slide presentations. These are the property of the speaker.
• Bring a shoulder bag or tote bag with lots of room! One with several pockets is ideal, with room for writing tools, books, handouts, wallet, keys and business cards. Leave your purse at home! You’ll want to have hands-free to be able to check out the freebies and handouts, browse books at book sales or displays, pick up your lunch, etc.
• Bring some money along for purchasing books—books by authors and books on craft and marketing. Authors are always happy to autograph their books, and there is usually time set aside for autographing.
• Plan to dress casually. Bring a sweater or jacket in case the room temperature is too cool. On the other side, you might want to layer your clothes in case it’s too warm.
• If you signed up for a critique, bring a copy of your manuscript along, just in case you need to refer to it.
• Bring business cards with your name, website, email and contact information on it to share with others you meet. You can print these inexpensively from your computer at home.
• If you are a published author, bring along business cards, promotional postcards or brochures to have in case someone asks for them. At many conferences there is a table where these can be left out for attendees to pick up. It’s an opportunity for editors, agents, teachers, librarians and readers to find out more about you and your books.
I hope these tips help you to enjoy your next conference even more! I’ll be attending the Missouri SCBWI Fall Conference for children’s writers & Illustrators, Seeds of Success
, on September 6-7th. I’m getting organized little by little! I’ve been reading about the speakers who will be there and I’m looking forward to reading their books, which I just brought home from the library.
I hope to see some of you at Seeds of Success
August 24, 2014
Author Elaine Marie Alphin
Elaine Marie Alphin’s last blog post
, dated Thursday, July 28th, 2011, begins: “Honor, Honesty, Integrity—these are the virtues I have always admired and aspired to.”
Elaine was a fellow SCBWI
member, and I first met her at an Indiana SCBWI conference, and was inspired. She was the author of many books for young readers which included fiction and non-fiction, beginning readers, middle grade novels and novels for young adults.
Her first published book for young readers was a middle grade novel. The Ghost Cadet
(1991) was followed by Ghost Soldier
(2001) —published by Henry Holt. Both books received several awards, and Ghost Soldier
was nominated for the 2002 Edgar Allan Poe Award for Best Juvenile Mystery. Those were the first of many awards to come for her writing for children and teens.
Elaine passed away on August 19th, 2014, following a long illness. She is remembered by many for her kindness, and for her enthusiastic advice to other children’s writers.
Author Mary Ann Moore shared a memory on facebook: “I've never forgotten her example during a workshop. She said she always looked at publishing as like a football game. She expected obstacles and tackling, but got up, put her helmet back on and kept going. The game wouldn't last long if the players went home every time they got tackled. Thanks, Elaine, for your wise, heartfelt books and your generosity to new writers.”
In her book, Creating Characters Kids Will Love
(Writers Digest Books 2000), Elaine talks about ‘Believable Kids on the Page.’ She says, “Characters are rarely passive; they take action. And the reader, as well as the other characters in the story, forms an impression of this character based on his actions.”
In an interview with Cynthia Leitich Smith on her blogsite, Cynsations
, in 2007, when asked about the challenges of starting a novel, here’s what Elaine had to say: “The biggest challenge is getting an idea that will support a novel--the second biggest challenge is holding off charging ahead with that idea before you have a chance to work out what you really want to do with it...”
On her author profile at Lerner
, Elaine shares this advice for future authors: “Read—read many different types of books. Read a book once for the wonder and the pleasure it brings you. Then read it again to see how the author did the things that made you love that book: the believable characterizations, the descriptive details, the exciting action, the thought-provoking theme. And write—…”
It’s good to have known you, Elaine. Blessings to you and your family.
August 10, 2014
It's that time of year for harvesting various fruits and vegetables! Back in Indiana and here in Missouri, too, we're thinking about corn on the cob right about now. So I thought I'd share a post-from-the-past. I hope you enjoy my corny riddles for writers (answers at the end--copyright Peggy Archer 2010).
1--What was the author's favorite baby toy?
2--Why did the author sit under the light bulb?
3--Where do vampires go to write?
4--Why did the poet give his book away?
5--What kind of books do carpenters write?
6--What did the mailperson put on when the temperature got cold?
7--How does a musician write a bestseller?
8--How did the bird tell everyone about his book?
9--Why did the journalist sit outside his cubicle to write?
10--How may writers does it take to change a lightbulb? (from a screenwriting email list)
Quote & advice for writers: "It does not matter how slowly you go as long as you do not stop."
--Corn-fucius (aka Confucius)
2--He was waiting for a bright idea.
4--It was free verse.
6--a Cover letter
7--He writes noteworthy fiction.
9--He was thinking outside of the box.
10--Only one, but it needs a spectacular twist at the end.
August 6, 2014
Missouri Society of Children's Book Writers & Illustrators has something for everyone! Whether you're new to writing or illustrating children's books or a published author or illustrator, if you write picture books, middle grade novels, or young adult novels, or if your interest is in illustrating children's books, this is the place for you on September 6th and 7th!
Missouri SCBWI Fall Conference: Seeds of Success
Society of Children’s Book Writers & Illustrators conference
Saturday, September 6th—8:00 am to 9:30 pm
Sunday, September 7th—8:30 am to 11:30 am
Lindenwood University, Spellman Center
209 N. Kingshighway Street - St. Charles, Missouri 63302
Last Day to register: August 20, 2014!
Krista Marino—Editor at Delacorte (YA and MG)
Deborah Halverson—freelance editor, author, writing instructor
Guiseppe Castellano—Art director at Penguin group
Steve Sheinkin—NF Author
Nancy Polette—Author (on writing biographies for children)
Debbie Gonzales—Curriculum Specialist
for authors—First 5 Lines
for illustrators—postcard evaluations
1—Deborah Halverson: How to Build Your Own Teenager: Techniques for Writing Believable MG/YA Characters
2— Debbie Gonzales: The Anatomy of a Teacher’s guide: A Hands On Approach to CCSS Project Creation
3— Jodell Sadler: Ten Tips Workshop for Writing Your Heart into Picture Books
4— Guiseppe Castallano: A Conversation with an Art Director
July 7, 2014
My special guest this week is Kim Piddington
, author of middle grade (MG) fiction, and the current Regional Advisor for the Society of Children’s Book Writers & Illustrators (SCBWI)
in Missouri. Kim is a great promoter of reading, writing, and children’s literature. She has served on the executive board of the Missouri Center for the Book
, is a National Writing Project Teacher consultant, and is on the executive board of the Language Arts Department of Southwest Missouri (LAD)
which holds one of the largest and longest running writing contests for children.
Welcome, Kim! You are such an active participant in promoting reading and writing for both children and adults, and I appreciate that. Can you tell us what made you want to write for children?
I always wanted to write. I started emulating the authors I was reading when I was in elementary school. I took tons of creative writing courses in college. But no one ever counseled me how to make a living at it. After college, I packed my pencil and notebook away until my inner writer was reawakened by the bNational Writing Project/b (NWP) in 1997.
You have a teaching background. Did teaching influence you to go back to writing?
I think after teaching MG children for 20 years- the MG voice is what is firmly entrenched in my head! I write MG exclusively. I’ve written one historical fiction, one fantasy, and am working on a contemporary fiction.
In California, I taught 7th grade English for 5 years, then I moved to a self-contained 6th grade class (teaching all subjects) for 10. I moved to Missouri and finished off by teaching 5th grade English for 5 years. I was writing my first book at that time, and my students would come in at lunch to read my chapters as I finished them. It was very eye opening for me to see what words and concepts they stumbled over.
Do you work on one project at a time or more than one?
More than one.
What are you working on now?
My agent suggested some revisions to my fantasy, so I’m working on those. I also started a contemporary MG to keep me going when I hit the revision wall.
How did you meet your agent, and what do you think helped you to ‘connect’ with her?
I met my agent, Lori Kilkelly
of Rodeen Literary
, at the 2013 SCBWI MO Fall Conference. I had sent in a query, synopsis and the first 5 pages of my fantasy to be critiqued. She really liked it, but I told her it was a work in progress and it wouldn’t be finished for several months. Then she told me she’d checked my webpage and saw that I had a historical fiction manuscript finished. She wanted to read that while I worked on the fantasy. I was actually afraid to send it to her! But thank goodness I did, because she loved it and signed me based on that book.
Moral of the story: personal connections really help and make sure you have a webpage!
How do you feel having an agent benefits you, personally?
I love Lori! She makes me feel like she is my biggest fan. She is positive, a great person to bounce ideas off of, and thanks to her, my manuscript is sitting on the desks of editors at places like Scholastic, Simon & Schuster, etc—places I had no access to without her. She really looks out for her clients—sending us links to writing advice, sending us news tidbits that pertain to the industry, and she even checks on and likes my facebook posts. Did I mention I love her? I feel very lucky!
When, and why, did you join SCBWI?
I used to take my students to a conference that featured great children’s authors every year. In 2010, my historical fiction manuscript had just won first place in the Pike’s Peak Writing Contest, Children’s Category—and I had no idea what to do next. One of the authors there suggested I join SCBWI—so I did. About six months later, Joyce Ragland asked me to be ARA (Assistant Regional Advisor) for SCBWI in Missouri. When she stepped down in 2013, I took over as RA (Regional Advisor).
SCBWI has opened so many doors for me—I’ve traveled to both Los Angeles & New York to attend the national conferences, learned a ton about the craft of writing by attending SCBWI workshops, and met the most fantastic people. And I met my agent at an SCBWI event. I think it’s safe to say I wouldn’t be where I am today as a writer without SCBWI.
I’m a long-time member and great supporter of the Society of Children’s Writers & Illustrators (SCBWI). Can you share some reasons why you would recommend membership in SCBWI to other children’s writers and illustrators?
Writing can be lonely—SCBWI offers you an opportunity to meet up with others who have the same goals/dreams as you. They provide top-notch “training” for writers & illustrators via their conferences and workshops. You get the opportunity to have your work critiqued by the best in the business, which could eventually lead to representation. And you meet fantastic, interesting, caring people.
Is SCBWI a good fit for self-published writers as well as traditionally published writers?
SCBWI recently created an annual award specifically for self-published authors. And ANY author can benefit from the craft lessons that are such a big part of every SCBWI event. SCBWI also offers opportunities to network—which is invaluable when you have a book to market.
What are you working on now for Missouri children’s authors and illustrators?
Currently, we are working on the SCBWI Fall Conference
. I’m so excited about our lineup—I really feel we have something for everyone.
In addition, we are working on choosing the finalists for the PB mentorship program with David Harrison, as well as running a scholarship contest for both writers & illustrators that is tied to the fall Conference.
I’m looking forward to the fall conference myself, which features three agents, two editors, several published authors, an art director, two author/illustrators, and a curriculum specialist! There is something for everyone, from picture books to middle grade and young adult. Critique spots are filling up fast, but there is still a chance to snag a critique with an agent, an editor, and a portfolio critique with an art director or author/illustrator!
Kim, you are also a National Writing Project (NWP) Teacher Consultant. What can you tell us about that?
The NWP focuses the knowledge, expertise, and leadership of our nation's educators on sustained efforts to improve writing and learning for all learners. The NWP is a network of sites anchored at colleges and universities and serving teachers across disciplines and at all levels, early childhood through university. We provide professional development, develop resources, generate research, and act on knowledge to improve the teaching of writing and learning in schools and communities.
The National Writing Project
believes that access to high-quality educational experiences is a basic right of all learners and a cornerstone of equity. We work in partnership with institutions, organizations, and communities to develop and sustain leadership for educational improvement. Throughout our work, we value and seek diversity—our own as well as that of our students and their communities—and recognize that practice is strengthened when we incorporate multiple ways of knowing that are informed by culture and experience.
I have been a NWP member for 13 years. It shaped me as teacher, reminded me I was a writer, and gave me the skills (after serving as the Ozark Writing project Youth Coordinator and hosting an annual MG conference for over 500 students for several years) to plan and organize events for SCBWI. I’m still active in this organization and think the work they do is important and inspiring.
You are a member of ALAN (Assembly on Literature for Adolescents) and several local writing groups including the Springfield Writers’ Guild and the Ozarks Writers League. How are these professional organizations important to you as a writer?
All of these organizations help me stay connected to other writers, as well as provide opportunities to get work critiqued, and learn more about the craft of writing. ALAN holds a conference each year at the end of NCTE, which is amazing! Dozens of successful and up & coming YA (young adult) authors in every genre speak either individually or on panels AND you walk away with an amazing box of books that would retail for 5 times what you paid for the conference. One of my “author dreams” is to be invited to speak there some day!
What can you tell us about the other projects/organizations that you are involved in that have to do with writing, children, education, etc.?
I served on the executive board of the Missouri Center for the Book for a brief time. They have a GREAT program- letters about literature- for school children. They also chose which Missouri book will represent the state at the National Book Festival
In addition, I am also on the executive board of LAD which holds one of the largest and longest running writing contests for children. There are over 70 categories, k-12, and they receive over 5,000 entries each year. I love judging- it’s amazing to see the work these students produce.
Outside of writing, what other interests do you have?
I’m married and have two beautiful daughters. One is getting married in the fall and the other is heading off to college—so I’m spending as much time as I can with them now.
I love gardening (weeds sprout overnight in this weather), baking, and traveling. I also have several horses and a passel of dogs & cats—so I spend a lot of time scooping poop!
Thank you so much for sharing some of your writing life with us here, Kim!
Kim lives with her family in Ozark, Missouri. Readers can find out more about Kim on her website
June 26, 2014
Most people who read picture books to children enjoy the simple language and uncomplicated story lines. It’s ‘cute.’ It’s ‘simple.’ So writing them must be easy, right? You probably don’t want to say that to someone who writes picture books!
Advice that published authors, editors and agents give to struggling picture book writers is invaluable.
‘Use the five senses’
to bring the reader into the story.
Use dialogue and action
to move the story along.
And the number one piece of advice to writers—‘Show, Don’t Tell.’
But how exactly do we do that? One way to learn is by reading other picture books. From the classics to those recently published and award-winning picture books! Read them all! But especially read recently published picture books
. Within their pages you’ll see how other authors successfully make use of different writing techniques.
When you read picture books, read them out loud.
In an interview in the Huffington Post
on May 28, 2014 Jane Yolen
says: “…I believe the eye and ear are different listeners. So as writers, we have to please both.”
When asked what the editing process is like for her when working on a picture book she said, “Reading it aloud over and over.” Click the link above to read the entire interview.
Read many picture books to hone your ear for sentence structure, vocabulary, pacing, rhythm, and page turns. Listen for language. The language needs to sound good when read aloud.
When you’re done reading, type out the text to see how the words look without illustrations
Here are some links with advice about writing a picture book. You can find more by doing an online search for ‘advice on writing picture books.’
Harold Underdown’s website, The Purple Crayon
, has links to articles about writing picture books.
Read a post by Emma Dryden about Why Playing It Safe May Be the Most Dangerous Game of All
Read Christie Wright Wild’s blogpost
for another perspective on how to study picture books.
Why Do Editors Say Not to Write in Rhyme?
Read Tara Lazar’s blog post for some of the reasons.
If you're a picture book writer looking for information or inspiration, and you live in the St. Louis area, please join me this Saturday, June 28th, at the St. Peters Cultural Arts Center on Mexico Road at a meeting of the Saturday Writers
. I'll be doing a presentation on The Nuts & Bolts of Writing a Picture Book
, followed by Revision & Marketing
. Saturday Writers is a group of ‘writers encouraging writers,’ and is a chapter of the Missouri Writers Guild
June 2, 2014
The weather finally changed here in Missouri, from winter to summer, with a brief spring season in between. My husband and I are back to walking. As we walk, my mind wanders. There’s so much inspiration all around us. Birds, bugs, butterflies—oh, oh. There’s that sudden flash of alliteration, not uncommon to children’s writers, and poets.
We enjoy walking at the parks the most. Being surrounded by nature is peaceful. It makes you forget the sore muscles you have from the long, lazy winter. We see all kinds of birds, and butterflies, dragonflies, wooly caterpillars, rabbits, squirrels, and maybe a groundhog or a deer.
We see even more if we’re walking with grandchildren. Which reminds me that things we take for granted are more exciting in the eyes of children.
We walk down a dirt trail covered with leaves.
Grandson: “What’s that?! There on that leaf? A toad!”
Me, looking down: “Oh, there’s another one!”
Grandson: “More! They’re all over the place!”
He was right. Do you remember that Indiana Jones movie where the snakes covered the floor and made it look like the floor was moving? That’s kind of how the trail looked for a minute.
Grandson: “I’m going to catch one.”
Me: “Stay away from that poison oak!”
Grandson, pointing too closely at a plant with five leaves: “What does it look like? Is this it?”
We stay on the path, surrounded by tiny toads.
Grandson: “Look! He just jumped into my hand! I’m going to take him home.”
Me, thinking that we should have brought some hand sanitizer: “I don’t think that’s a good idea. Where would you keep it?”
Grandson: “In a cage.”
Me, thinking about a toad hopping around in my car: “You can’t keep him in a cage. He belongs in nature.”
Grandson: “Oh. Ok. Take a picture to show my dad.”
I snap a picture, the toad hops out of his hand, and we head back to the paved trail.
Another day some of our other grandchildren were taking a family walk and came across some deer in a field.
Grandson: “Can we pet them?”
Mom: “No, we can’t pet the deer.”
Grandson: “Oh.” Then after thinking about it for a minute—“I guess they’re only good for eating then.”
I won’t tell you what our ‘princess’ granddaughter said, which was really out of character!
It makes me stop to think about what things go through a child’s mind. Their unpredictability makes them so much fun. And fun to write for.
Back to our walk, we cross over a bridge and see nests, and holes in the ground. We hear a variety of bird songs, which another granddaughter can identify the birds by.
We pass by a lake and see trout and turtles and twigs. Oh, my, there goes that alliteration.
We hear crickets and rustlings in wooded areas. And my mind is immersed in stories that need to be told. Poems that should be written. And the desire to write them. Because a writer is a writer wherever you are.
Today, June 2nd, is the opening of the 2014 Picture Book Walk
at Quail Ridge Park in Wentzville, Missouri. Berlioz the Bear
, by Jan Brett
is this summer’s featured picture book. From 3:00 to 5:00 pm today there will be games, activities and crafts for children inside the lodge by the lake. But any time this summer, you can take the short ¾ mile walk around the lake and read the book, which is displayed, spread by spread, at various posts around the lake. The Picture Book Walk is sponsored by the St. Charles County Parks Department
and the St. Charles City-County Library District
If you know of any similar picture book walks in your area parks, please post them in your comments.
Happy Summer Reading!